Old wine in a new bottle. The whole Bollywood redefined rhetoric comes to naught with films like these. PH offers a dry script with a tediously commonplace screenplay. The first few scenes (that capture the rift between the Sikhs and the English), set the mood of the film. Akshay Kumar is completely in the character and you want to believe he's going through it all.
But after a point, he appears as miserable and lifeless as one of those Ekta Kapoor characters who's lost all hope and only exists to live for others. You almost want to reach out to him and tell him ENOUGH. Dimple Kapadia (playing Akshay's mother) is as good as furniture in the house.
You sit there out-guessing every dialogue, waiting for something less predictable to happen. (Anushka's "Do what you're born to do" with exclamatory expressions works as good as Ekta Kapoor's trademark camera effects ;). Anushka repeats her Band Baaja....'s cutesy, adorable act. But one more time I see her doing that I'll be bored.
It's sure to do well in Punjab and our Sardarjis in K for Caneda are going to lov it. For me, the only good part about the film was Shafqat Amanat Ali's song kyu main jagoon which plays in the background on and off.
Repeat Value - If you've endured it once, it's more than a favour to Nikhil Advani!

















